Laïcité as a Weapon: the Tool and the Target

IF 0.2 4区 文学 N/A LITERATURE, ROMANCE
Mary Elizabeth Allen
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引用次数: 0

Abstract

Abstract This article considers Laïcité (secularism) in France both through particular stories and the more theoretical stances that have emerged in the past few years. I focus on French schools, especially recent actions taken by the Ministry of Education to promote and instruct students and the public on the values of secularism—activities that notably contribute an increasing feeling of unwelcome among many Muslims in France. I analyze the culture war around hijab that jeopardizes women’s participation in society though attention to women’s voices in the new film Marianne directed by Valentina Canavesio.
Laïcité作为武器:工具和目标
本文通过具体的故事和过去几年出现的更多理论立场来研究法国的Laïcité(世俗主义)。我关注的是法国的学校,特别是教育部最近采取的行动,旨在促进和指导学生和公众对世俗主义的价值观——这些活动明显导致了法国许多穆斯林越来越不受欢迎的感觉。我在瓦伦蒂娜·卡纳维西奥导演的新片《玛丽安》中,通过关注女性的声音,分析了围绕头巾的文化战争危及女性的社会参与。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
43
期刊介绍: An established journal of reference inviting all critical approaches on the latest debates and issues in the field, Contemporary French & Francophone Studies (formerly known as SITES) provides a forum not only for academics, but for novelists, poets, artists, journalists, and filmmakers as well. In addition to its focus on French and Francophone studies, one of the journal"s primary objectives is to reflect the interdisciplinary direction taken by the field and by the humanities and the arts in general. CF&FS is published five times per year, with four issues devoted to particular themes, and a fifth issue, “The Open Issue” welcoming non-thematic contributions.
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