{"title":"Salvator Rosa’s Influence on Emily Brontë","authors":"S. Starke","doi":"10.1080/14748932.2022.2043601","DOIUrl":null,"url":null,"abstract":"Emily Brontë was a landscape artist in two media: text and image. Her aesthetic was shaped by the work of the seventeenth-century Italian artist Salvator Rosa, whose ‘spiritual landscapes’ of the dark, rocky and mountainous Abruzzi wilderness captured the imagination of earlier English collectors before being dismissed as old-fashioned by Victorian art critics. Contemporary reviewers of Wuthering Heights recognized the affinity of visual sensibility between the two, while the novel employs a landscape iconography derived from Rosa. The most notable example is the motif of the twisted fir tree, which figures prominently in the novel and inspired her to make her own pencil drawing study. Emily Brontë infuses the Salvatorian sublime into her descriptions of landscape while also channelling Rosa’s fascination with outlaws in the wilderness in the characters in her Gondal poems. A study of Rosa’s influence on Emily Brontë’s work reveals her to be a sophisticated aesthetic archaist.","PeriodicalId":42344,"journal":{"name":"Bronte Studies","volume":"47 1","pages":"113 - 127"},"PeriodicalIF":0.1000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bronte Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14748932.2022.2043601","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 0
Abstract
Emily Brontë was a landscape artist in two media: text and image. Her aesthetic was shaped by the work of the seventeenth-century Italian artist Salvator Rosa, whose ‘spiritual landscapes’ of the dark, rocky and mountainous Abruzzi wilderness captured the imagination of earlier English collectors before being dismissed as old-fashioned by Victorian art critics. Contemporary reviewers of Wuthering Heights recognized the affinity of visual sensibility between the two, while the novel employs a landscape iconography derived from Rosa. The most notable example is the motif of the twisted fir tree, which figures prominently in the novel and inspired her to make her own pencil drawing study. Emily Brontë infuses the Salvatorian sublime into her descriptions of landscape while also channelling Rosa’s fascination with outlaws in the wilderness in the characters in her Gondal poems. A study of Rosa’s influence on Emily Brontë’s work reveals her to be a sophisticated aesthetic archaist.
期刊介绍:
Brontë Studies is the only journal solely dedicated to research on the Brontë family. Published continuously since 1895, it aims to encourage further study and research on all matters relating to the Brontë family, their background and writings, and their place in literary and cultural history. Original, peer-reviewed articles are published as well as papers delivered at conferences, notes on matters of interest, short notices reporting research activities and correspondence arising from items previously published in the journal. The journal also provides an official record of the Brontë Society and reports new accessions to the Brontë Parsonage Museum and its research library.