Disarming memories: Japanese, Korean, and American literature on the Vietnam war

Richard C. Kagan
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Abstract

Abstract This essay ventures into a comparative literature analysis of the Vietnam War through the study of novels written by selected American, Japanese, and Korean authors. Popular American writers have generally concentrated on the soldier's rite of passage from the naïve and rough and tumble recruit to the angry, disillusioned vet. The content of this journey deals primarily with the veteran's personal experiences of the war. One learns almost nothing about Vietnam, or about the larger meaning of the war itself. Like looking out at the world through two slats of a Venetian blind, the American chronicler observes a limited view of the action. A great deal of the writing concentrates on one's inner life, and one's inner passage. In contrast to this Gothic view of the war, Japanese and Korean writers take a broader and historical view of the war. They concentrate on Vietnam's geography, people, religions, and the causes of the war. They place the war in a historical and cultural context. They look at Vietnam as well as at the war. By looking at the way selected Asian writers view the war, Americans can understand why we see and understand the war differently. The essay concludes by suggesting how a better war story might be written.
解除武装的记忆:日本、韩国和美国关于越南战争的文学
本文通过对美国、日本和韩国作家的小说的研究,尝试对越南战争进行比较文学分析。受欢迎的美国作家通常把注意力集中在士兵的成长过程上,从naïve、粗暴、跌跌撞撞的新兵到愤怒、幻灭的退伍军人。这次旅行的内容主要涉及老兵的个人战争经历。人们几乎不了解越南,也不了解战争本身的更大意义。就像透过威尼斯百叶窗的两块板条看外面的世界一样,这位美国编年史家观察到的是一种有限的视角。大量的写作集中在一个人的内心生活,一个人的内心通道。与这种哥特式的战争观点相反,日本和韩国作家对战争的看法更广泛,更具有历史意义。他们专注于越南的地理、人民、宗教和战争的起因。他们把这场战争放在历史和文化背景中。他们不仅关注战争,也关注越南。通过观察精选的亚洲作家对战争的看法,美国人可以理解为什么我们对战争的看法和理解不同。文章最后建议如何写出更好的战争故事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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