Testimonies of loss and memory

Abstract

While the partition of the Indian subcontinent, as an event of shattering consequence, underlies the very origin of the postcolonial Indian state, historiographies of Indian nationhood are often marked by their failure to acknowledge or claim this cataclysmic history. This paper, examines three post-partition ‘testimonies’ — Amitav Ghosh's The Shadow Lines, Qurratulain Hyder's Sita Haran, and Shyam Benegal's film Mammo — that in their return to this founding trauma of subcontinental nationalism compel us to concede the past-in-presentness of partition as a history that is not done with, that refuses to be past. Though these texts are not situated during the actual turmoil of 1947, all of them hinge around the partition in ways which testify to the abiding legacies of partition in our world. While The Shadow Lines is a meditation on the borders constituted by the division of the subcontinent, Sita Haran and Mammo investigate the ramifications of partition as a traumatic history that continues to impinge up...