Remapping the World in a Fifteenth-Century Cosmography: Genres and Networks Between Deccan India and Iran

IF 0.6 4区 历史学 0 ARCHAEOLOGY
Vivek Gupta
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引用次数: 0

Abstract

ABSTRACT This article examines codicological evidence for the presence of an illustrated Persian cosmography (‘ajā’ib al-makhlūqāt) (British Library Add 23564) at the fifteenth-century Bahmani court (1347–1538) of Deccan India. It traces this manuscript's itinerary from the dating of its colophon 1441, to its place in Bahmani Bidar, to a subimperial Mughal library, to its move to ‘Adil Shahi Bijapur in 1618, and finally to its arrival at the British Library in 1860. It argues that distinguishing manuscript genre from textual genre when considering book production over a longue durée enables one to see books more clearly through the lens of their makers and readers. By establishing this cosmography's place in South Asia, this article enables it to be situated within the activity of this manuscript genre throughout the Deccan's early modern period.
在15世纪的宇宙学中重新绘制世界:德干印度和伊朗之间的类型和网络
本文研究了15世纪印度德干的Bahmani宫廷(1347-1538)中存在的波斯宇宙学插图(' ajha ' ib al-makhlūqāt)(大英图书馆Add 23564)的法典证据。它追溯了这份手稿的行程,从1441年的抄本,到它在Bahmani Bidar的位置,到一个次帝国莫卧儿图书馆,到1618年搬到Adil Shahi Bijapur,最后到1860年到达大英图书馆。它认为,在考虑长期的书籍制作时,区分手稿类型和文本类型可以使人们通过制作者和读者的镜头更清楚地看到书籍。通过确立这种宇宙学在南亚的地位,本文使其能够在整个德干早期现代时期的这种手稿类型的活动中被定位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
1.30
自引率
0.00%
发文量
13
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