The Musical Treasure-Trove of Uzbekistan: The Phenomenon of Uzbek Classical Music

Q3 Arts and Humanities

Anthropology and Archeology of Eurasia Pub Date : 2016-01-02 DOI:10.1080/10611959.2016.1263486

Otanazar Matyakubov

引用次数: 0

Abstract

This article, derived from a chapter in the book Musical Treasure-Trove of Uzbekistan, addresses the history, sources, theory, and practice of the Uzbek classical music called makom [maqâm]. The author argues that Uzbek classical music has an unbroken, complex, and philosophical legacy that has come down to us as a living tradition from numerous sources in the wider region of Central Asia. He illustrates his innovative interpretation with diverse music samples and elaborate analysis of makom terminology.

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乌兹别克斯坦的音乐宝库:乌兹别克古典音乐现象

本文摘自《乌兹别克斯坦音乐宝库》一书中的一章，讲述了乌兹别克斯坦古典音乐makom [maq]的历史、来源、理论和实践。作者认为，乌兹别克古典音乐具有完整的、复杂的和哲学的遗产，作为一种生活的传统，从中亚广大地区的众多来源流传下来。他用不同的音乐样本和对makom术语的详细分析来说明他的创新诠释。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Anthropology and Archeology of Eurasia Arts and Humanities-History

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期刊介绍： Anthropology and Archeology of Eurasia presents scholarship from Russia, Siberia, the Caucasus, and Central Asia, the vast region that stretches from the Baltic to the Black Sea and from Lake Baikal to the Bering Strait. Each thematic issue, with a substantive introduction to the topic by the editor, features expertly translated and annotated manuscripts, articles, and book excerpts reporting fieldwork from every part of the region and theoretical studies on topics of special interest.