Hearing assessment of classical orchestral musicians

K. Kähäri, A. Axelsson, P. Hellström, G. Zachau
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引用次数: 86

Abstract

Pure-tone audiometry was performed on 140 classical orchestral musicians employed at the Gothenburg Symphony Orchestra and the Gothenburg Opera in Sweden. This report is based on the results from hearing threshold measurements, presented as median audiograms according to gender, age group and instrument group. The results did not show severe hearing losses that could be attributed to exposure to musical noise. However, the study reflects the subjects' present hearing ability status and does not give an answer to the question of future hearing dysfunction. Female musicians were shown to have significantly better hearing thresholds in the high-frequency area than did male musicians. Furthermore, the median pure-tone hearing thresholds for the male musicians displayed a notch configuration at 6 kHz in the left ear, similar that of to noise-induced hearing loss. A small, but in general not significant, difference was detected when comparing the median hearing thresholds between each instrument group. Percussion and woodwind players displayed slightly worse hearing thresholds than did other musicians. Players of large string instruments had the best hearing threshold values. When comparing age groups and gender it was noted that the median hearing thresholds were stable and within 20 dB HL up to the age group of 40-49 years for both females and males.
古典管弦乐音乐家的听力评估
对瑞典哥德堡交响乐团和哥德堡歌剧院聘用的140名古典管弦乐演奏家进行了纯音测听。本报告基于听力阈值测量的结果,根据性别、年龄组和乐器组以中位数听力图呈现。研究结果并没有显示出严重的听力损失可能是由于接触音乐噪音造成的。然而,该研究反映的是受试者目前的听力能力状况,并不能回答未来听力障碍的问题。女性音乐家在高频区域的听力阈值明显高于男性音乐家。此外,男性音乐家的中位数纯音听力阈值在左耳显示为6 kHz的缺口配置,与噪音引起的听力损失相似。在比较每个仪器组之间的中位听力阈值时,发现了一个小但通常不显著的差异。打击乐器和木管乐器演奏者的听力阈值略低于其他音乐家。大型弦乐器演奏者的听力阈值最好。在比较年龄组和性别时,注意到在40-49岁年龄组中,女性和男性的中位听力阈值都稳定在20 dB HL以内。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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