The elegiac woman at Rome

IF 0.5 3区 历史学 0 CLASSICS
M. Wyke
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引用次数: 51

Abstract

How do women enter the discourse of Augustan love poetry and become elegiac? Studies of the representation of women in antiquity generally suggest that women enter its literatures doubly determined. Broadly speaking, literary representations of the female are determined both at the level of culture and at the level of genre: that is to say by the range of cultural codes and institutions which order the female in a particular society and by the conventions which surround a particular practice of writing. I propose in this paper, therefore, to explore the place of the elegiac woman in the literary landscape of Augustan Rome through an examination of the interplay of her cultural and generic determinants. The phrase ‘the elegiac woman’ which appears in the title of this paper should make clear at the outset that my concern will be not with the realities of women's lives in Augustan society but with a poetic genre of the female.
罗马的哀歌女人
女性是如何进入奥古斯都爱情诗的话语并成为挽歌的?对古代女性形象的研究通常表明,女性进入古代文学是双重决定的。从广义上讲,女性的文学表现是由文化和体裁两个层面决定的:也就是说,由特定社会中对女性发号施令的文化规范和制度的范围以及围绕特定写作实践的习俗决定的。因此,我在本文中提出,通过对她的文化和一般决定因素的相互作用的研究,探索哀歌女性在奥古斯都罗马文学景观中的地位。出现在这篇文章标题中的"哀歌的女人"一开始就应该清楚地表明,我关注的不是奥古斯都社会中女性生活的现实,而是女性的诗歌类型。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
13
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