The ‘Electra’ of Sophocles: prolegomena to an interpretation 1

IF 0.5 3区 历史学 0 CLASSICS
R. P. Winnington-Ingram
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引用次数: 3

Abstract

The play has given rise to diverse interpretations. The greatest divergence of opinion is about the attitude of Sophocles to the matricidal vengeance. At one extreme we have a robust Homeric Sophocles, untroubled by the squeamishness of Aeschylus; at the other, an Aeschylean sensitiveness to the moral implications of the vengeance and a presumption that the Furies are only waiting for the play to end to begin their pursuit of Orestes. Adherents of the former view can point to certain epic features which Sophocles has introduced, but the constant reminiscences of the Oresteia are far more striking. This paper assumes (what will be in part substantiated) that Sophocles wrote with the Oresteia constantly in mind and expected the better-educated among his audience to be reminded of it. It will be concerned particularly with the Sophoclean treatment of the Furies and will suggest that this is of fundamental importance to the interpretation of the play.
索福克勒斯的“伊莱克特拉”:一种解释的前兆
这出戏引起了不同的解释。意见的最大分歧是关于索福克勒斯对弑母报复的态度。一个极端是健壮的荷马式的索福克勒斯,他不为埃斯库罗斯的神经质所困扰;另一方面,埃斯库罗斯对复仇的道德含义的敏感,以及一种假设,即复仇女神只是在等待戏剧结束,开始追逐俄瑞斯忒斯。前一种观点的拥护者可以指出索福克勒斯引入的某些史诗特征,但对俄瑞斯忒亚的不断回忆则更为引人注目。本文假设(将部分证实)索福克勒斯在写作时始终牢记俄瑞斯忒亚,并希望他的读者中受过良好教育的人能记住这一点。它将特别关注索福克林对复仇女神的处理,并将表明这对戏剧的解释是至关重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
13
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