Neoptolemus grows up? 'Moral development' and the interpretation of sophocles' Philoctetes

IF 0.5 3区 历史学 0 CLASSICS
Laurel Fulkerson
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引用次数: 4

Abstract

Sophocles' Philoctetes , first performed in 409 BCE, is a complex play, engaging with a number of issues that have guaranteed it a great deal of attention through the ages. Among other things, from what we know about the Aeschylean and Euripidean versions, Sophocles offers a far more dynamic work than either of the other two playwrights, involving many plot twists, false resolutions, and, all-but uniquely, a character who seems to grow up in the course of the play. Although Philoctetes is generally considered the key figure of the play, as it revolves around his willingness to use his bow in the service of his enemies, Neoptolemus too is of great interest to many (modern) readers, as it is in him that we see the clearest case in extant tragedy of a decision rethought on moral grounds; Neoptolemus' struggle may well render him one of the most compelling characters in Greek tragedy (Reinhardt (1979) 166; cf. Gill (1996) 1–18).
Neoptolemus长大了?“道德发展”与索福克勒斯《菲罗克忒忒斯》的解读
索福克勒斯的《菲罗克忒忒斯》于公元前409年首次演出,是一部复杂的戏剧,涉及了许多问题,这些问题保证了它在各个时代都受到广泛关注。除此之外,从我们对埃斯库罗斯和欧里庇德斯版本的了解来看,索福克勒斯的作品比其他两位剧作家都更有活力,包括许多情节曲折、错误的决定,以及一个似乎在戏剧过程中成长起来的角色,这一点几乎是独一无二的。虽然菲罗克忒忒斯通常被认为是戏剧的关键人物,因为它围绕着他愿意用他的弓为他的敌人服务,尼奥托勒摩斯也引起了许多(现代)读者的极大兴趣,因为在他身上,我们看到了现存悲剧中最清晰的案例,即在道德基础上重新思考的决定;Neoptolemus的挣扎很可能使他成为希腊悲剧中最引人注目的人物之一(Reinhardt (1979) 166;参见吉尔(1996)1-18)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.90
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13
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