{"title":"Dancing with My Other-Self: A Self-Portrait History of a Healing Process Through Dance","authors":"Sarahí Lay Trigo, Kimberly Rothwell","doi":"10.1007/s10465-022-09358-1","DOIUrl":null,"url":null,"abstract":"<div><p>Where does the seed of recovery from trauma, from illness, from injury find ground, sink roots, and start to grow? Can one find empowerment in a body, subjected to illness, trauma and disability? In this autobiographical article, the authors takes us on a journey into illness, where despair threatens her very will to live. In fact, she becomes to herself something foreign, grotesque, and completely other. And yet, hope sprouts. This work has two voices: the primary voice describes the power of dance in her healing from paralysis (hemiparesis and complete disfigurement of the face) due to viral encephalitis caused by herpes zoster (chickenpox). Sentenced not to walk again, she desperately and willfully turned to dancing to help in her recovery. It took her two years to return to formal dance classes and seven years to perform professionally again. In this article, she shares in an intimate conversation how dance can be more than an aesthetic art, and can support the process of transformational rehabilitation. The secondary voice from the co-author urges dance/movement therapists to listen carefully to direct experience, and utilize an embodied inquiry into illness and healing. Autobiographical experience offers an invitation for dance/movement therapists to further their understanding of the lived experience of rehabilitation and the psychology of illness and thereby deepen their capacity to clinically support the painful process of integration when healing does not look like a return to a level of prior functioning.</p></div>","PeriodicalId":44552,"journal":{"name":"AMERICAN JOURNAL OF DANCE THERAPY","volume":"44 1","pages":"45 - 72"},"PeriodicalIF":0.8000,"publicationDate":"2022-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN JOURNAL OF DANCE THERAPY","FirstCategoryId":"1085","ListUrlMain":"https://link.springer.com/article/10.1007/s10465-022-09358-1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"PSYCHOLOGY, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
Where does the seed of recovery from trauma, from illness, from injury find ground, sink roots, and start to grow? Can one find empowerment in a body, subjected to illness, trauma and disability? In this autobiographical article, the authors takes us on a journey into illness, where despair threatens her very will to live. In fact, she becomes to herself something foreign, grotesque, and completely other. And yet, hope sprouts. This work has two voices: the primary voice describes the power of dance in her healing from paralysis (hemiparesis and complete disfigurement of the face) due to viral encephalitis caused by herpes zoster (chickenpox). Sentenced not to walk again, she desperately and willfully turned to dancing to help in her recovery. It took her two years to return to formal dance classes and seven years to perform professionally again. In this article, she shares in an intimate conversation how dance can be more than an aesthetic art, and can support the process of transformational rehabilitation. The secondary voice from the co-author urges dance/movement therapists to listen carefully to direct experience, and utilize an embodied inquiry into illness and healing. Autobiographical experience offers an invitation for dance/movement therapists to further their understanding of the lived experience of rehabilitation and the psychology of illness and thereby deepen their capacity to clinically support the painful process of integration when healing does not look like a return to a level of prior functioning.
期刊介绍:
American Journal of Dance Therapy informs the international mental health community on the latest findings in dance/movement therapy theory, research, and clinical practice by presenting original contributions, case material, reviews, and studies by leading practitioners and educators in the field. The journal, reflecting the dramatic expansion of the profession over the last half-century, publishes timely articles on working with new populations, changing goals, innovative techniques, and new methods of training. Current professional issues, outcome research, and assessment tools are also examined and evaluated. This biannual forum encourages dance/movement therapists and allied mental health professionals to test their theoretical premises and share their ideas. It is a valuable resource for administrators, psychiatrists, psychologists, social workers, and creative arts therapists in the disciplines of music, art, and drama.