{"title":"Editorial, 43.2","authors":"Tom Six","doi":"10.1080/14682761.2023.2260215","DOIUrl":null,"url":null,"abstract":"This editorial reflects on an intervention at this year's International Federation of Theatre Research conference by Ghanaian trans artist and activist Va-Bene Elikem K. Fiatsi (aka crazinisT artis...","PeriodicalId":42067,"journal":{"name":"Studies in Theatre and Performance","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-10-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Theatre and Performance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14682761.2023.2260215","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
Abstract
This editorial reflects on an intervention at this year's International Federation of Theatre Research conference by Ghanaian trans artist and activist Va-Bene Elikem K. Fiatsi (aka crazinisT artis...