Archives, repatriation, agency, and changing circumstances: Reflections on shared soundscapes, collaborative activations, and repatriations in Latin America

IF 0.7 2区 社会学 Q3 ANTHROPOLOGY
Anthony Seeger
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Abstract

This article reflects on changes in the roles of audiovisual archives and the use of their collections by ethnomusicologists and Indigenous communities in Latin America as represented by the three articles in JLACA and Anthony Seeger's research and experience as director of archives and a record label. It describes the multiplication of archives in the twenty-first century and the concept of an archival multiverse. Seeger then addresses three questions: What is a shared soundscape? What is a recording? What is an archive? He prefers the term sharing soundscapes to repatriation and stresses the importance of considering the agency of communities in deciding how to share their knowledge. To widen the terms of the discussion, he moves from a discussion of researchers sharing soundscapes to a discussion of how audiovisual archives and record companies also share soundscapes.

档案、遣返、代理和不断变化的环境:对拉丁美洲共享音景、合作激活和遣返的思考
本文以JLACA中的三篇文章以及Anthony Seeger作为档案总监和唱片公司的研究和经验为代表,反思了拉丁美洲民族音乐学家和土著社区视听档案的角色变化及其藏品的使用。它描述了21世纪档案的倍增和档案多元宇宙的概念。Seeger接着回答了三个问题:什么是共享声景?什么是录音?什么是归档?他更喜欢“分享音景”一词,而不是“遣返”,并强调在决定如何分享知识时考虑社区代理的重要性。为了扩大讨论范围,他从研究人员共享音景的讨论转向了音像档案馆和唱片公司如何共享音景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.50
自引率
7.70%
发文量
61
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