Slaying the Dragon in Shakespeare’s Coriolanus

Q4 Psychology
J. Russell
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引用次数: 0

Abstract

Within William Shakespeare’s play Coriolanus, the title character Caius Martius Coriolanus refers to himself as a “lonely dragon.” This image of a dragon in the play represents a powerful fusion of Celtic, Nordic, and classical myth as well as Christian theology—all of which contain depictions of dragons. Reading Martius as a dragon, using Jungian and archetypal terms mediated through Icelandic literature, unveils Shakespeare’s use of myth to fashion Caius Martius’s transformation into an untamable anti-social beast whose primal violence and aggression ultimately leads to his slaying by Aufidius, the dragon-like dragon-slayer.
莎士比亚《科里奥拉纳斯》中的屠龙记
在威廉·莎士比亚的戏剧《科里奥拉纳斯》中,主角Caius Martius Coriolanus称自己为“孤独的龙”。剧中的龙形象代表了凯尔特人、北欧人、古典神话以及基督教神学的强大融合,所有这些都包含了对龙的描绘。将马蒂乌斯解读为一条龙,使用荣格主义和冰岛文学中的原型术语,揭示了莎士比亚利用神话将凯乌斯·马蒂乌斯塑造成一只难以驯服的反社会野兽,其原始的暴力和侵略最终导致他被屠龙者奥菲迪厄斯杀害。
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来源期刊
International Journal of Jungian Studies
International Journal of Jungian Studies Psychology-Applied Psychology
CiteScore
1.10
自引率
0.00%
发文量
10
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