Reading and trauma: how the openness of contemporary poetry and haiku facilitates engagement

IF 0.4 0 LITERATURE
Owen Bullock, Jordan Williams
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引用次数: 1

Abstract

ABSTRACT We present here an account of the way we employ the reading of poetry in engaging participants of an intensive four-week creative arts programme known as ARRTS (Arts for Recovery, Resilience, Teamwork and Skills) for wounded, ill or injured serving military personnel people with injury or illness, to prepare and assist them in writing their own stories. Poetry can deal with experience and perception in unique ways, as can haiku, which are invaluable for their accessibility and depth. The open qualities of our reading matter invite discussion and models the fact that poetry gives us permission to feel and to express ourselves. This discussion and engagement with readings is a key aspect of any prospective writer’s development, and, supplemented by the identification of specific techniques such as enjambment, creates awareness of ways in which it is possible to ‘re-author’ experience for healing effect.
阅读与创伤:当代诗歌和俳句的开放性如何促进参与
摘要:我们在这里介绍了我们如何利用诗歌阅读来吸引为期四周的强化创意艺术计划ARRTS(康复、复原、团队合作和技能艺术)的参与者,为受伤、生病或受伤的现役军人——受伤或生病的人——做准备并帮助他们写下自己的故事。诗歌可以以独特的方式处理经验和感知,俳句也是如此,它们的可及性和深度是无价的。我们阅读材料的开放性引发了讨论,并塑造了这样一个事实,即诗歌允许我们感受和表达自己。这种与阅读的讨论和参与是任何未来作家发展的一个关键方面,并辅以特定技术的识别,如Enjamment,使人们意识到有可能“重新创作”治疗效果的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
26
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