The Magician’s Serpent

Q1 Arts and Humanities
E. Glaude
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引用次数: 0

Abstract

In this essay, Eddie S. Glaude, Jr. addresses the historical and contemporary failures of American democracy. Using the metaphor of “the magician’s serpent,” Glaude brings Walt Whitman’s views on democracy into the full light of America’s failure to resolve the problem of race. Glaude places Whitman’s Democratic Vistas (1871) in conversation with James Baldwin’s No Name in the Street (1972) in order to construct a different sort of reading practice that can both engage with Whitman’s views on democracy and reckon with what George Hutchinson calls Whitman’s “white imperialist self and ideology” as an indication of the limits of a certain radical democratic imagining.
魔术师的蛇
小Eddie S.Glaude在这篇文章中谈到了美国民主的历史和当代失败。格劳德用“魔术师的蛇”的比喻,将沃尔特·惠特曼对民主的看法充分反映在美国未能解决种族问题的情况下。Glaude将惠特曼的《民主Vistas》(1871年)与詹姆斯·鲍德温的《No Name in the Street》(1972年)进行了对话,以构建一种不同的阅读实践,既能与惠特曼的民主观相结合,又能与乔治·哈钦森所说的惠特曼的“白人帝国主义自我和意识形态”相结合,以此表明某种激进民主的局限性想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
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