Linguistic-stylistic and literary interpretation of S. Zweig’s short story "Governess" at the plot and character level

I. Akinshina, S. V. Sleptsova, Oxana Vladimirovna Kuzmina
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Abstract

The interaction of literary and linguistic approaches in the process of analyzing a literary text makes it possible to penetrate into the depth of the artistic work. This is the relevance of the study. The authors conducted a philological analysis of the ethical S. Zweig’s short story “The Governess” using these approaches. The following means were identified to characterize the psychological tension of the characters: climax and introspection. The analysis of linguistic-stylistic means in the description of the presented images of characters and their interactions is carried out. The analysis revealed the following tropes: direct nominations amplified by the epithets; repetitions of verbs and nouns; artistic comparisons; metaphors; metonymies; paraphrases; hyperboles; personifications; internal parallelisms; figures of “default”; internal monologues; rhetorical questions and exclamations. Three stages of dynamization of the emotional experiences of the main characters are identified with the help of linguistic-stylistic means: 1) slight suspicion, vague contradiction, caution; 2) distrust, suspicion, nervousness, agitation; 3) open protest, experience, grief, despair, disappointment, tears, silence, darkness. The conclusion states that S. Zweig made the best presentation of linguistic and stylistic means to characterize the main characters and the growth of their emotional tension.
从情节和人物层面解读茨威格短篇小说《女政府》
在分析文学文本的过程中,文学和语言学方法的互动使我们有可能深入到艺术作品的深度。这就是研究的相关性。作者运用这些方法对茨威格的短篇小说《女政府》进行了文献学分析。通过高潮和内省两种手段来刻画人物的心理张力。分析了描写人物形象及其互动的语言风格手段。分析揭示了以下比喻:直接提名被形容词放大;动词和名词的重复;艺术比较;隐喻;转喻;转述;夸张;人格化;内部平行性;“违约”数字;内心独白;修辞问题和感叹词。借助语言风格手段,主要人物情感体验的动态化分为三个阶段:1)轻微怀疑、模糊矛盾、谨慎;2) 不信任、怀疑、紧张、激动;3) 公开抗议、经历、悲伤、绝望、失望、眼泪、沉默、黑暗。结论认为,茨威格运用语言和文体的手段来刻画主人公及其情感张力的增长。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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