Everychild

IF 0.1 4区 文学 0 LITERARY REVIEWS
Alix Christie
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引用次数: 0

Abstract

It should have been their senior year. Everychild was seventeen going on a hundred, what with everything that lay ahead. They were pale after months chained to their laptop, pale and blond and exceedingly white, though this too galled them, to be no more than an ally as the world went up in flames. Time to think about college applications, their parents began to chirp in October, Covid month seven “What’s the point?” Everychild’s voice was flat. “We’ll all be climate refugees, and you’ll be dead.” Afterward, Mom and Dad cast their minds back. Was there a precise moment, some tipping point they’d missed? Time had become so folded upon itself that year. Perhaps it began right after the Day No One Could Breathe. When the birds, disoriented, failed to lift into the orange-black sky. When they and Everychild and Younger Brother all woke to the same suffocating murk, six months into the pandemic. It coated them inside and out: skin, feathers, alveoli. The entire state of California was aflame, Silicon Valley run aground on the Exxon Valdez. Outside was the world they had made, both visible and invisible: smoke and ash and fire and virus. They couldn’t leave the house, even if they hadn’t been sheltering in place. They couldn’t even step into the yard. The pool water was slick with platinum ash. © 2022, Missouri Review. All rights reserved.
Everychild
本该是他们的大四。每个孩子都十七岁了,再加上前面的一切。他们被锁在笔记本电脑上几个月后脸色苍白,脸色苍白,金发碧眼,极其苍白,尽管这也让他们很恼火,但在世界陷入火海之际,他们只不过是一个盟友。到了考虑大学申请的时候,他们的父母在新冠肺炎第七个月的10月份开始窃窃私语:“有什么意义?”每个孩子的声音都很平。“我们都会成为气候难民,你们会死的。”之后,爸爸妈妈回心转意。有没有一个确切的时刻,他们错过了什么转折点?那一年,时间变得如此的紧迫。也许它就在没人能呼吸的那一天之后开始了。当迷失方向的鸟儿没能飞入橙黑色的天空时。当他们、Everychild和Younger Brother都在同样令人窒息的杂音中醒来时,疫情已经过去六个月了。它从里到外覆盖着它们:皮肤、羽毛、肺泡。整个加利福尼亚州都在燃烧,硅谷在埃克森瓦尔迪兹号上搁浅。外面是他们创造的世界,既可见又不可见:烟雾、灰烬、火焰和病毒。他们不能离开房子,即使他们没有在适当的地方避难。他们甚至不能踏入院子。池水漂浮着白金灰。©2022,《密苏里评论》。保留所有权利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Missouri Review
Missouri Review LITERARY REVIEWS-
自引率
0.00%
发文量
45
期刊介绍: The Missouri Review is a not-for-profit organization made possible in part by the generous support of readers and donors. We have helped shape the contemporary literary scene by offering the finest work of today’s most important writers and by discovering the brightest new voices in fiction, nonfiction, and poetry. Our mission is aided by one of the most established and sophisticated internship programs in the country. Each semester we mentor more than twenty undergraduate and graduate interns, many of whom go on to become editors in academia and the commercial publishing world. We believe this mission is as vital today as it was when the Missouri Review first began in 1978. And we would not be able to achieve these goals without the gifts and dedication we have received from individuals who appreciate and understand the importance of literature in our world.
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