CONSERVATION OF THE MURAL PANTINGS AT THE THEBAN TOMB TT 340 AT DEIR EL- MEDINA NECROPOLIS, WESTERN THEBES, LUXOR, EGYPT

IF 0.2 N/A ARCHAEOLOGY
Manci, A., Sedikk, M.
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引用次数: 1

Abstract

: This research aims to study the characteristics and technique of mural painting at the tomb of Amenemhat (No. 340), assessment of its current conservation state, moreover select and apply the most suitable materials and methods to conservation. The chara- cterization of the mural paintings in the studied tomb was carried out using different techniques including visual examination , portable USB-Digital microscope; polarizing light microscope; scanning electron microscopy (SEM) equipped with energy dispersive x-ray analysis system (SEM-EDS); x-ray powder diffraction (XRD), and Fourier transform infrared spectroscopy (FTIR). In order to select the optimal materials for consolidation and completion processes, an experimental study was carried out using various methods includ ing visual examination, scanning electron microscopy (SEM) and colorimetric measurements. The results indicated that the ancient Egyptian artist used the traditional technique (tempera) which is used inside the rock tombs for preparing the wall paintings at the tomb of Amenemhat (No. 340). The mural paintings in the tomb are suffering from the influence of many indigenous and exogenous deterioration factors. The results of experimental tests demonstrated that the product of Klucel G 1% has high efficiency in the consolidation of the weak painting layer. Also; the product of Bio Estel has high efficiency in the consolidation of fragile mud plaster layers. Moreover, the data clarified that the mortar (1) which consists of 0.5 rough yellow sand, 0.5 fine yellow sand, 3 light mud, 1 heba bowder, 0.5 burned clay , 1 straw, 3 gm Tobsin N and distilled water it’s a suitable for filling gaps and cracks in the mural paintings. Finally, treatment procedures were successfully performed using pre-consolidation, mechanical cleaning, re- adhesion of partly det-ached and flaking layers, consolidation, filling gaps and missing parts and cracks injections.
埃及卢克索蒂比斯西部迪尔麦地那墓地tt340蒂班墓的壁画保护
本研究旨在研究阿蒙奈姆哈特墓(340号)壁画的特点和技术,评估其目前的保护状况,并选择和应用最合适的材料和方法进行保护。使用不同的技术对研究墓中的壁画进行了表征,包括视觉检查、便携式USB数字显微镜;偏光显微镜;配备有能量色散x射线分析系统(SEM-EDS)的扫描电子显微镜(SEM);x射线粉末衍射(XRD)和傅立叶变换红外光谱(FTIR)。为了选择用于固结和完井工艺的最佳材料,采用多种方法进行了实验研究,包括目视检查、扫描电子显微镜(SEM)和比色测量。研究结果表明,这位古埃及艺术家在Amenemhat墓(编号340)的壁画制作中使用了岩石墓内部使用的传统技术(蛋彩画)。墓室壁画受到多种本土和外源性退化因素的影响。试验结果表明,Klucel G1%的产品对软弱涂层的固结效果较好。而且Bio-Estel的产品在脆性泥灰泥层的固结中具有高效性。此外,数据表明,砂浆(1)由0.5粗黄沙、0.5细黄沙、3轻泥、1 heba bowder、0.5烧粘土、1根稻草、3克Tobsin N和蒸馏水组成,适合填充壁画中的空隙和裂缝。最后,通过预固结、机械清洗、部分脱落和剥落层的重新粘合、固结、填充间隙和缺失部分以及注入裂缝,成功地完成了处理程序。
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来源期刊
CiteScore
0.40
自引率
50.00%
发文量
12
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