Displaying Socialist Cosmopolitanism: China’s Architectural Aid in the Global South, 1960s–70s

IF 0.2 4区 艺术学 0 ARCHITECTURE
Guanghui Ding, C. Xue
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引用次数: 0

Abstract

Abstract After World War Two, modern architecture was disseminated worldwide by western architects. However, the role of Chinese architects in Asian and African countries during the Cold War has been largely overlooked. Chinese-aided projects were initiated by communist leaders and executed through state-owned design institutes and construction companies. This article explores these projects as a cultural expression of socialist cosmopolitanism, as China sought to reshape the world order of the 1960s through political, cultural, and material interventions. It argues that architects from state-owned design institutes helped newly independent Guinea and Sri Lanka form national identities through architectural intervention by adopting cosmopolitan ideas that maintained sensitivities to differences and appreciation for others. By embracing situated cosmopolitanism and socialist ideologies, Chinese political leaders and building professionals saw themselves as partners with revolutionary ambitions who respected others with geographical and cultural differences on the global stage.
展示社会主义世界主义:中国在全球南方的建筑援助,60–70年代
摘要第二次世界大战后,西方建筑师将现代建筑传播到世界各地。然而,中国建筑师在冷战期间在亚洲和非洲国家的作用在很大程度上被忽视了。中国援助的项目由共产党领导人发起,并通过国有设计院和建筑公司执行。本文探讨了这些项目作为社会主义世界主义的文化表达,因为中国试图通过政治、文化和物质干预来重塑20世纪60年代的世界秩序。它认为,来自国有设计机构的建筑师通过建筑干预,帮助新独立的几内亚和斯里兰卡形成了国家身份,他们采用了世界性的理念,对差异保持敏感,并欣赏他人。中国的政治领导人和建筑专业人士通过接受环境世界主义和社会主义意识形态,将自己视为具有革命野心的合作伙伴,在全球舞台上尊重具有地理和文化差异的其他人。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
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