Live Coding Poetry: The narrative of code in a hybrid musical/poetic context

IF 0.2 3区 艺术学 0 MUSIC
Alexandros Drymonitis
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引用次数: 0

Abstract

Live coding is a celebrated practice that is used in many areas, combined with a variety of artistic fields. Code poetry is a form of poetry with many variations, all of which have a common rule: the code that is or produces the poem must compile without errors. The meeting point of live coding and code poetry seems to have not yet been thoroughly explored, leaving space for experimentation and research. Certain attempts have already been made, where live coding is either approached through natural language or used to break up and merge chunks of existing poems, forming new ones. Computer code has also been used to write deterministic opera librettos, following the code poetry paradigm. This article focuses on the literary and artistic attributes of code, on code poetry and on the existing attempts to combine it with live coding. It also highlights the narrative attribute of musical live coding to formulate a rationale for combining live coding with code poetry in a musical context. The goal is to examine the possibilities of this combination, as well as how this can be achieved, from a technical point of view.
现场编码诗歌:音乐/诗歌混合背景下的编码叙事
现场编码是一种著名的实践,在许多领域都有使用,并与各种艺术领域相结合。密码诗是一种有多种变体的诗歌形式,所有变体都有一个共同的规则:构成或产生诗歌的密码必须编译无误。现场编码和代码诗的交汇点似乎还没有被彻底探索,留下了实验和研究的空间。已经进行了一些尝试,通过自然语言进行实时编码,或者用于分解和合并现有诗歌的大块,形成新的诗歌。计算机代码也被用来编写确定性歌剧剧本,遵循代码诗歌的范式。本文着重于代码的文学和艺术属性,代码诗以及现有的将其与现场代码相结合的尝试。它还强调了音乐现场编码的叙事属性,以制定在音乐背景下将现场编码与编码诗歌相结合的基本原理。目标是从技术角度研究这种组合的可能性,以及如何实现这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
16.70%
发文量
38
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