Artists’ workshops on the cultural map of Kyiv in the 1960s–1980s

Maryna Poliakova
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Abstract

The article takes the first step towards a systematic study of the network of art workshops in the city of Kyiv as it developed during the 1960s and 1980s. The artist’s workshop is presented by us as one of the main loci of professional artistic ubiquity, a room where the artist spends a significant part of his life, working and communicating with colleagues. The activities of the Kyiv branch of the Union of Artists of the Ukrainian SSR and the Art Fund of the Ukrainian SSR subordinated to the Union in the field of creating and providing artists with skills are analyzed as one of the directions of the implementation of the Soviet cultural policy: maintaining loyal attitudes in the artistic environment through the material support of artists, ensuring their daily professional needs. The phenomenon of Kyiv research workshops in the interdisciplinary field (using the methods of social history, cultural history, etc.). This made it possible to see the system of workshops as a structure: to typologize, that is, to distinguish different types of premises (residential buildings with workshops, specialized “combinations”, individual premises), to build a chronology of creation and visualize the Kyiv geography of the network of creative workshops.
20世纪60年代至80年代基辅文化地图上的艺术家研讨会
这篇文章迈出了系统研究基辅市20世纪60年代和80年代发展起来的艺术工作室网络的第一步。艺术家的工作室被我们视为专业艺术无处不在的主要场所之一,艺术家在这个房间里度过了他生命中的重要时光,工作和与同事交流。乌克兰苏维埃社会主义共和国艺术家联盟基辅分部和隶属于该联盟的乌克兰苏维埃社会主义联邦共和国艺术基金在创造和提供艺术家技能方面的活动被分析为执行苏联文化政策的方向之一:通过艺术家的物质支持在艺术环境中保持忠诚的态度,确保他们的日常专业需求。基辅跨学科领域研究工作坊的现象(使用社会史、文化史等方法)。这使得将工作坊系统视为一种结构成为可能:进行类型化,即区分不同类型的场所(带工作坊的住宅楼、专门的“组合”、单独的场所),建立一个创作年表,并可视化基辅的地理创意工作室网络。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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