Data and documentaries: Methodological hybridizations in activism

IF 0.8 Q3 COMMUNICATION
Miren Gutiérrez
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引用次数: 3

Abstract

Hybridization permeates all fields of communication: documentaries are no exception. One example is The Left-to-Die Boat by Forensic Architecture (FA), an audio-visual account of how 63 refugees lost their lives in 2011 when their ship was adrift in the waters of Libya. The Left-to-Die Boat combines documentary techniques with data analysis and visualizations to expose a tragedy, change migration policies and sustain court cases. Based on critical data and documentary studies, this article inspects the methodological hybridization proposed by FA in six documentaries. The questions are: how does FA hybridize? What are the outcomes of this hybridization? What is hybridization today? The analysis links these documentaries’ characteristics with functions and outcomes, offering a taxonomy that can be employed beyond this study. The findings indicate that activism is taking multidimensional forms, blurring the boundaries separating documentaries, data science and art in search of impact.
数据和纪录片:激进主义的方法论混合
杂糅渗透到传播的各个领域:纪录片也不例外。一个例子是法医建筑公司(FA)的《死亡之船》(The Left to Die Boat),这是一部讲述2011年63名难民在利比亚水域漂流时如何丧生的视听作品。《死亡之舟》将纪录片技术与数据分析和可视化相结合,揭露悲剧,改变移民政策,维持法庭案件。本文以文献资料和文献研究为基础,考察了FA在六部文献中提出的方法论杂交。问题是:FA是如何杂交的?这种杂交的结果是什么?今天的杂交是什么?该分析将这些纪录片的特征与功能和结果联系起来,提供了一种可以在本研究之外使用的分类法。研究结果表明,激进主义正在采取多维形式,模糊了纪录片、数据科学和艺术之间的界限,以寻求影响力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.20
自引率
20.00%
发文量
14
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