‘But, what’s wrong with ruins?’ Traversing inevitable loss in industrial heritage

IF 1.6 3区社会学 Q4 ENVIRONMENTAL STUDIES

Cultural Geographies Pub Date : 2023-08-17 DOI:10.1177/14744740231191529

Pablo Arboleda, B. Rosa

引用次数: 0

Abstract

An architect and a cultural geographer meet to visit a vast industrial complex in southern Spain that was gradually abandoned between 1962 and 2012. Despite being formally designated as protected heritage, the practical absence of material intervention, historical interpretation or control of access turns the act of walking through these ruins into a highly immersive, sensorial and reflective experience. Drawing from fieldnotes and photo-documentation, this contribution broadens the generative potential of preserving-by-not-preserving, a novel heritage approach recently tackled in cultural geography literature.

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“但是，废墟怎么了？”穿越工业遗产不可避免的损失

一位建筑师和一位文化地理学家会面，参观西班牙南部一座在1962年至2012年间逐渐废弃的大型工业综合体。尽管被正式指定为受保护遗产，但由于缺乏物质干预、历史解释或对通道的控制，穿过这些废墟的行为变成了一种高度沉浸式、感官和反思的体验。根据现场笔记和照片文献，这一贡献通过不保存来扩大保存的生成潜力，这是最近在文化地理文献中采用的一种新颖的遗产方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Cultural Geographies Multiple-

CiteScore

3.50

自引率

12.50%

发文量

期刊介绍： Cultural Geographies has successfully built on Ecumene"s reputation for innovative, thoughtful and stylish contributions. This unique journal of cultural geographies will continue publishing scholarly research and provocative commentaries. The latest findings on the cultural appropriation and politics of: · Nature · Landscape · Environment · Place space The new look Cultural Geographies reflects the evolving nature of its subject matter. It is both a sub-disciplinary intervention and an interdisciplinary forum for the growing number of scholars or practitioners interested in the ways that people imagine, interpret, perform and transform their material and social environments.