The magic space. Once upon a time intergenerational storytelling and Mr. Neoliberalism

Q1 Arts and Humanities
Esther Uria-Iriarte, E. Méndez-Martínez
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引用次数: 0

Abstract

ABSTRACT This article is a story told to a young boy by his grandmother. Once upon a time, there existed a place where listening to stories was a way of life. This happened in all places around the world: Lakota and Navajo tribes of North America; Yoruba and Guji-Oromo in Africa; Estonian or Basque Country in Europe … But suddenly, the titan Mr. Neoliberalism displaced the elders: casting its shadow and silencing places. Economic production became all-consuming and human beings used almost all their energies pursuing it. And then, hope emerged as intergenerational performance. Some communities participating in this type of performance – Reminiscence Theatre and Verbatim Theatre, for example – recovered the collective power of storytelling to educate both the young and old about values, culture, identities and history … Storytelling invites ways to know who we are, where we come from, and where we belong: storytelling as hope, storytelling as a dream, storytelling as a magic space where imagining other realities is possible.
神奇的空间。曾几何时代际叙事与新自由主义先生
本文是一个小男孩的祖母给他讲的故事。从前,有一个地方,听故事是一种生活方式。这种情况发生在世界各地:北美的拉科塔和纳瓦霍部落;非洲的约鲁巴人和古吉奥罗莫人;爱沙尼亚或欧洲的巴斯克国家……但突然间,新自由主义的巨人取代了元老们:投下阴影,让一些地方噤声。经济生产变得消耗一切,人类几乎用尽了所有的精力来追求它。然后,希望出现在代际表现中。一些参与这类表演的社区——例如回忆剧院和逐字逐句剧院——恢复了讲故事的集体力量,教育年轻人和老年人了解价值观、文化、身份和历史……讲故事邀请人们了解我们是谁,我们来自哪里,我们属于哪里:讲故事是希望,讲故事是梦想,讲故事是一个神奇的空间,想象其他现实是可能的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Youth Theatre Journal
Youth Theatre Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
1
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