Remembering Jerusalem

IF 0.2 N/A RELIGION
B. Pitkin
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引用次数: 0

Abstract

This article analyzes John Calvin’s 1562–1563 lectures on Lamentations as a case study for exploring the role of biblical exegesis in creating and shaping what scholars such as Judith Pollmann have demonstrated to be early modern memory practices. Lamentations is not one of the better-known books of the Christian canon, and although it was central to Catholic Holy Week liturgies, it appears to have played little to no role in Reformation-era doctrinal and ecclesiastical controversies. In content, Calvin’s eighteen lectures on these five poems of lament are typical of Calvin’s historicizing approach to the Bible. Calvin shows deep appreciation for the events underlying the biblical text (in this case, he argues, the fall of Jerusalem to the Babylonians as a recent calamity) and seeks to relate the biblical past to the conditions of the present. But they can also be considered as a form of memory culture: an effort to engage with a past disaster that not only provides a negative object lesson for the present but, in addition, invites participation in a process of collective memory-making among Calvin’s sixteenth-century Genevan auditors and wider readership.
缅怀耶路撒冷
本文分析了约翰·加尔文1562-1563年关于哀歌的讲座,作为一个案例研究,探讨圣经注释在创造和塑造朱迪斯·波尔曼等学者所证明的早期现代记忆实践中的作用。《哀歌》并不是基督教正典中最知名的书籍之一,尽管它是天主教圣周礼拜仪式的核心,但它似乎在宗教改革时期的教义和教会争议中几乎没有发挥任何作用。在内容上,加尔文关于这五首哀歌诗的十八堂课是加尔文对《圣经》历史化方法的典型。加尔文对圣经文本背后的事件深表赞赏(他认为,在这种情况下,耶路撒冷被巴比伦人占领是最近的一场灾难),并试图将圣经的过去与现在的条件联系起来。但它们也可以被视为记忆文化的一种形式:努力应对过去的灾难,这不仅为现在提供了一个负面的实物教训,而且还邀请了加尔文16世纪的Genevan审计员和更广泛的读者参与集体记忆的过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
39
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