Cultural appropriation of the Day of the Dead by foreign studio films

Enrique Abraham Lopez Oropeza
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Abstract

A year after the release of the film “Spectre”, the Mexican government decided to organize a parade in Mexico city as a consequence of the representation in such film. Even though a parade is not even part of the original tradition. Cultures naturally change and evolve yet, how valid is it for foreigners to be responsible for these modifications? How are these actions different from the cultural impositions in the times of the colonies?
外国电影公司对亡灵节的文化挪用
电影《幽灵党》上映一年后,墨西哥政府决定在墨西哥城组织游行,作为这部电影的代表。尽管游行甚至不是最初传统的一部分。文化是自然变化和发展的,然而,外国人对这些变化负责有多有效?这些行为与殖民地时代的文化强加有何不同?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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