Rock-Carved Buddhas at Ch’ilburam Hermitage in Namsan Mountain, Kyongju

IF 0.3 3区 哲学 Q2 Arts and Humanities
Young-ae Lim
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引用次数: 2

Abstract

On the Namsan Mountain of Kyongju, can be found the Ch’ilburam rock-carved Buddhas. The seven Buddha and bodhisattva images are significant because of their coexistence in one space and their unique arrangement. The Ch’ilburam sculptor was inspired by the Chinese central pillar caves that the sculptor had knowledge of, and the opportunity to visit. These archetypes of the ‘central pillar cave’ layout exhibit sutra-inscribed walls. By adopting and adapting these architectural elements, Ch’ilburam replicates the primary function of the Chinese cave temple. Ultimately, the Ch’ilburam site is a compromise between the desire for a rock cave temple, and the intractable geology of Korea, which is unsuitable for these purposes. As for the production period, there is a strong case for the view that the Ch’ilburam Buddha triad and four-sided stone pillar were created simultaneously in the early eighth century.
位于庆州南山的奇布拉姆故居的石刻佛像
在庆州的南山上,可以看到奇布拉姆岩石雕刻的佛像。这七个佛和菩萨的形象之所以意义重大,是因为它们共存于一个空间中,并且有着独特的排列方式。这位奇尔布拉姆雕塑家的灵感来自于他所了解的中国中柱洞穴,以及参观的机会。这些“中柱洞”布局的原型展示了刻有佛经的墙壁。通过采用和改编这些建筑元素,奇布拉姆复制了中国石窟寺的主要功能。最终,奇布拉姆遗址是对岩洞寺庙的渴望和不适合这些目的的韩国棘手地质之间的妥协。关于制作时期,有充分的理由认为,八世纪初,齐布拉姆佛三合会和四面柱是同时创作的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
33.30%
发文量
11
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