Utrata cienia – fragmenty „włoskiej biografii” Gustawa Herlinga-Grudzińskiego

Q4 Arts and Humanities
Magdalena Śniedziewska
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引用次数: 0

Abstract

In Journal Written at Night Gustaw Herling analyzes the Peter Schlemihl’s Miraculous Story by Adelbert von Chamisso. The Polish writer (as an émigré) is extremely sensitive to the fate of artists forced to live away from their birthplace and, unlike Thomas Mann, proposes an interpretation according to which the loss of a shadow means the lack of homeland. Herling understands breaking away from his homeland as a kind of physical handicap: an existence without native land. However, if the roots can be found in another soil, it is impossible to regain the shadow. Herling introduces the distinction between hard existence and indeterminacy of feelings of a man eradicated, combining the alienation experienced in Naples with an intangible, but also irreversible loss of a shadow.
阴影的消失——古斯塔夫·赫林·格鲁津斯基“意大利传记”的片段
古斯塔夫·赫林在《夜写日记》中分析了夏米索的《彼得·施莱米尔的神奇故事》。这位波兰作家(作为一名移民)对被迫离开出生地生活的艺术家的命运极为敏感,与托马斯·曼不同,他提出了一种解释,即失去阴影意味着失去家园。赫林将脱离祖国理解为一种身体障碍:一种没有故土的生活。然而,如果能在另一种土壤中找到根,就不可能重新获得阴影。赫林介绍了一个被根除的人的艰难存在和情感的不确定性之间的区别,将在那不勒斯经历的异化与无形但不可逆转的阴影丧失结合起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Poznanskie Studia Polonistyczne Seria Literacka
Poznanskie Studia Polonistyczne Seria Literacka Arts and Humanities-Literature and Literary Theory
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0.00%
发文量
17
审稿时长
14 weeks
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