{"title":"The Blackness of the Chimney Sweep: Dickens, Illustrators, and Erasing Racial Complexity","authors":"C. Lehmann","doi":"10.1353/dqt.2022.0025","DOIUrl":null,"url":null,"abstract":"Abstract:In this article I look at how Dickens's text and his illustrators' drawings work together to erase the racially complex reality of Victorian London. I explore how the representations of the chimney-sweep in a variety of genres situate the sweep at a nexus of anxieties about race and class. By looking at the history of representing the May Day Parade, which showed Black participants, I argue that when the parade appears in Dickens's work, there is a deliberate erasure of Black presence. I then trace the sweep in Dickensian illustration to show that every time the sweep appears they carry the visual markers of the sweep – burnished cap, brush, and often bag – to comfort the (white) viewer and reader that they are not seeing a Black child on the street.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"DICKENS QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dqt.2022.0025","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
引用次数: 1
Abstract
Abstract:In this article I look at how Dickens's text and his illustrators' drawings work together to erase the racially complex reality of Victorian London. I explore how the representations of the chimney-sweep in a variety of genres situate the sweep at a nexus of anxieties about race and class. By looking at the history of representing the May Day Parade, which showed Black participants, I argue that when the parade appears in Dickens's work, there is a deliberate erasure of Black presence. I then trace the sweep in Dickensian illustration to show that every time the sweep appears they carry the visual markers of the sweep – burnished cap, brush, and often bag – to comfort the (white) viewer and reader that they are not seeing a Black child on the street.