An Island Getting Divided at the Cinema: Transformational Microhistory of Cinemagoing and Nationalism in Cyprus

IF 1.1 3区 社会学 Q2 AREA STUDIES
Barçın Boğaç
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引用次数: 0

Abstract

ABSTRACT This study offers an alternative perspective for examining the rise of Turkish nationalism in the Eastern Mediterranean in relation to cinema culture within the political and historical contexts of Cyprus. The cinema business and its practices had their golden age in the 1950s through the distribution of Turkish films from Turkey and the increasing number of movie theatres in Turkish Cypriot neighbourhoods. This period was also crucial in terms of political developments on the island due to the drastic rise in ethnic and national divisions. Drawing on archival research and oral history; this article aims to examine how Turkish nationalism was provided with the ideal conditions to grow rapidly at Cypriot cinemas and how multi-communal cinemagoing experiences of the early 1950s had transformed into nationally divided Cypriot audiences during the last years of British colonial rule in Cyprus.
一座在电影院被分割的岛屿:塞浦路斯电影和民族主义的转型微观史
摘要本研究为研究土耳其民族主义在东地中海的兴起与塞浦路斯政治和历史背景下的电影文化之间的关系提供了另一种视角。20世纪50年代,通过发行土耳其电影和土族塞人社区越来越多的电影院,电影业及其实践迎来了黄金时代。由于种族和国家分裂的急剧加剧,这一时期对岛上的政治发展也至关重要。利用档案研究和口述历史;本文旨在研究土耳其民族主义是如何在塞浦路斯电影院迅速发展的理想条件,以及在英国殖民统治塞浦路斯的最后几年,20世纪50年代初的多社区电影拍摄体验是如何转变为全国分裂的塞浦路斯观众的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
1.70
自引率
20.00%
发文量
44
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