“Beyond Beyond”: Cymbeline, the Camera Obscura, and the Ontology of Elsewhere

IF 0.6 2区 文学 0 LITERATURE, BRITISH ISLES
W. Hyman
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引用次数: 0

Abstract

C avemen invented the camera—or to be a little more precise about it, paleo people discovered moving pictures. This, at least, is the conclusion some archeologists and historians derive from the peculiar quality of lively motion seen in the earliest known forms of art. ForWerner Herzog, regarding 30,000-year-old charcoal quadrupeds flickering in light and shadow against rock walls is “almost a form of proto-cinema.” Far from “primitive” and anything but static, these undulating, imbricated figures give “the illusion of movement, like frames in an animated film.” Deep in the Paleolithic caves of what is now France, only firelight would have
“Beyond Beyond”:Cymbeline、Camera Obscura和其他地方的本体论
古人发明了照相机——或者更准确地说,古人发现了运动图像。至少,这是一些考古学家和历史学家从已知最早的艺术形式中看到的生动运动的独特品质中得出的结论。ForWerner Herzog认为,30000年前的木炭四足动物在岩壁上的光影中闪烁“几乎是一种原始电影的形式”,叠瓦状的人物给人一种“运动的错觉,就像动画电影中的画面。”在现在的法国旧石器时代的洞穴深处,只有火光
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来源期刊
CiteScore
0.70
自引率
0.00%
发文量
28
期刊介绍: English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.
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