{"title":"Contributors","authors":"","doi":"10.1080/09528822.2021.2016332","DOIUrl":null,"url":null,"abstract":"Nadia Kamies was awarded a doctorate in Historical and Heritage Studies from the University of Pretoria in April 2019 for her thesis that examined the notion of colouredness and concomitant issues of shame and respectability. Practices of Freedom: Representation and Identity in Families Classified ‘Coloured’ during Apartheid was published in Alternation Journal (University of KwaZulu-Natal) in 2019. She is currently a post-doctoral fellow in the Department of Historical and Heritage Studies, University of Pretoria.","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"35 1","pages":"643 - 644"},"PeriodicalIF":0.3000,"publicationDate":"2021-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2021.2016332","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
Nadia Kamies was awarded a doctorate in Historical and Heritage Studies from the University of Pretoria in April 2019 for her thesis that examined the notion of colouredness and concomitant issues of shame and respectability. Practices of Freedom: Representation and Identity in Families Classified ‘Coloured’ during Apartheid was published in Alternation Journal (University of KwaZulu-Natal) in 2019. She is currently a post-doctoral fellow in the Department of Historical and Heritage Studies, University of Pretoria.
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.