Chanoc: Caricaturizando los medios y el futbol

IF 0.1 4区 社会学 N/A HUMANITIES, MULTIDISCIPLINARY
Alejandro González Landeros
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引用次数: 0

Abstract

Abstract:In this paper, I analyze Chanoc (1959–1981), a weekly booklet in color of thirty-two pages, and one of the most read and consumed comics during the now cataloged "silver epoch" of Mexican comics. Entering the world of football comics, Chanoc begins to narrate through parody and picaresque, and the themes begin to diversify in front of the language that at the same time is produced by the written press, radio, and Mexican television. Chanoc explores the contemporary tensions of football and does so with special emphasis on the media and the market. With all these changes and subtle frameworks of Chanoc, in this work 1) I investigate the brief history of Chanoc and its contact with soccer; 2) I propose the beginning of the "football imagination" on Mexican television; and 3) I explore how Chanoc narrates the tensions and fertilizations that arise between the media and football under the mocking and parody tone of a contemporary commentator of the comic, Ángel Fernández.
Chanoc:漫画家媒体和足球
摘要:在这篇论文中,我分析了Chanoc(1959–1981),这是一本32页的彩色周刊,也是墨西哥漫画“白银时代”中阅读量和消费量最大的漫画之一。进入足球漫画的世界,查诺克开始通过戏仿和流浪汉进行叙事,在书面媒体、广播和墨西哥电视台制作的语言面前,主题开始多样化。查诺克探讨了当代足球的紧张局势,并特别强调媒体和市场。在这项工作中,我调查了查诺克的简史及其与足球的接触;2) 我建议墨西哥电视台开始“足球想象”;以及3)我探索了查诺克是如何在当代漫画评论员安吉尔·费尔南德斯的嘲讽和戏仿语气下,讲述媒体和足球之间出现的紧张关系和肥沃关系的。
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来源期刊
STUDIES IN LATIN AMERICAN POPULAR CULTURE
STUDIES IN LATIN AMERICAN POPULAR CULTURE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.10
自引率
0.00%
发文量
10
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