Carl August Senff (1770–1838) im Kontext der Deutschen Kunst und sein Wirken in Tartu (Dorpat)

IF 0.1 0 ART
G. Vogel
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引用次数: 0

Abstract

Carl August Senff is among the most important artists of Academic Neoclassicism in the Baltic region. As drawing master at the University of Tartu, he conveyed the artistic experience he had acquired, primarily during his years in Saxony in Leipzig and Dresden, to a significant number of students. In this way, Senff established the basis for the independent development of the arts in Estonia. This essay examines Senff’s early artistic roots in Germany and draws attention to the close, personal relations with his artist friends who served as a fundamental source, guiding light, and creative impulse for his own drawing and painting throughout his life. Senff’s stylistic development began with a sentimental neoclassicism that gradually transformed into Biedermeier realism. Portraits and landscapes in various techniques were Senff’s preferred genres, especially as graphic prints. Senff’s mastery of the new technique of lithography became an important model for his many students.
德国艺术背景下的卡尔·奥古斯特·森夫(1770–1838)及其在塔尔图的作品(多尔帕特)
卡尔·奥古斯特·森夫是波罗的海地区最重要的学术新古典主义艺术家之一。作为塔尔图大学的绘画大师,他向大量学生传达了他所获得的艺术经验,主要是在莱比锡萨克森和德累斯顿的几年里。通过这种方式,森夫为爱沙尼亚艺术的独立发展奠定了基础。本文考察了森夫早期在德国的艺术渊源,并注意到他与艺术家朋友之间的密切个人关系,这些朋友是他一生绘画和绘画的基本来源、指路明灯和创作冲动。森夫的风格发展始于伤感的新古典主义,后来逐渐转变为比德梅尔现实主义。各种技术的肖像画和风景画是森夫喜欢的类型,尤其是作为平面版画。森夫对光刻新技术的精通成为他众多学生的重要榜样。
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来源期刊
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0.20
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期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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