Employing dwelling to reconsider individual and collaborative relationships to pedagogical practice

IF 0.2 0 DANCE
Sara Giddens, Elizabeth Long, R. Spencer
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引用次数: 0

Abstract

Three practitioner-researchers from the University of Central Lancashire begin to wrestle with how they might employ dwelling within their pedagogy. Weaving together images and texts from a diverse range of sources, they invite readers to consider how dwelling, as a practice, has become, foregrounded in, and through their research and professional practice, and how it might support and challenge teaching and learning within a higher education context. How it might inform and empower new ways of working collaboratively and help us to enable and engage in a more useful and meaningful dialoguing process.
利用住宅重新考虑与教学实践的个人和合作关系
来自中央兰开夏大学的三名从业者研究人员开始纠结如何在他们的教学法中使用住宅。他们将来自各种来源的图像和文本交织在一起,邀请读者思考居住作为一种实践,在他们的研究和专业实践中是如何发展起来的,以及它如何支持和挑战高等教育背景下的教学。它如何为新的合作方式提供信息并赋予其权力,并帮助我们实现和参与更有用和更有意义的对话过程。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.
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