Early Phonograph Records and Music Scores of Jingju: Materialization, Textualization, and Oral Transmission of Tan Xinpei's Arias

Q2 Arts and Humanities

CHINOPERL: Journal of Chinese Oral and Performing Literature Pub Date : 2022-12-01 DOI:10.1353/cop.2022.a873827

Hai Zhen

引用次数: 0

Abstract

Abstract:Tan Xinpei 譚鑫培 (1847–1917) is an era-defining figure in the history of Jingju (Peking Opera) and also one of the first generation of Jingju actors who recorded arias, in 1907 and 1912. Widely sung during his lifetime, his arias were notated and published as music scores after his death. The recordings and notated scores (with commentary) are the subject of this paper, which explores their relationship to Tan's "flexible singing" on stage and their role in the dissemination and transmission of Tan's singing style to this day.

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京居早期声谱与乐谱——谭鑫培咏叹调的物化、文本化与口传

摘要：谭新培譚鑫培（1847–1917）是京剧史上一个划时代的人物，也是1907年和1912年录制咏叹调的第一代京剧演员之一。在他的一生中，他的咏叹调被广泛传唱，并在他去世后作为乐谱出版。本文以录音和乐谱（附解说）为研究对象，探讨它们与谭在舞台上的“灵活演唱”的关系，以及它们在谭演唱风格传播和传承中的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CHINOPERL: Journal of Chinese Oral and Performing Literature Arts and Humanities-Literature and Literary Theory

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The focus of CHINOPERL: Journal of Chinese Oral and Performing Literature is on literature connected to oral performance, broadly defined as any form of verse or prose that has elements of oral transmission, and, whether currently or in the past, performed either formally on stage or informally as a means of everyday communication. Such "literature" includes widely-accepted genres such as the novel, short story, drama, and poetry, but may also include proverbs, folksongs, and other traditional forms of linguistic expression.