Musical improvisation: A mixed methods study on social interactions in younger and older adults

IF 1.6 4区 医学 Q2 REHABILITATION
Verónika Diaz Abrahan, Nadia Justel, Favio Shifres
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引用次数: 3

Abstract

ABSTRACT Introduction As a complex phenomenon, musical improvisation can be addressed from the perspective of different disciplines. In music therapy, improvisation is a central practice; however, as a technique, it lacks methodological guidelines and scientific evidence justifying its use. The aim of this study was to investigate the social interaction features that emerge during group musical improvisation. We conducted a mixed methods study with an exploratory sequential design comparing improvisation and imitation tasks, performed by groups of younger and older adults, separately, by generating and analyzing six categories of nonverbal communication and social interaction. Method Younger (n = 131) and older adults (n = 110) participated in one of two types of music activities: group musical improvisation or group rhythmic imitation. Eight group musical improvisation tasks – as implemented in music therapy settings – were compared with eight group rhythmic imitation tasks, according to six categories of analysis: visual contact, body movement, type of production, music interaction, vocal aspect, and leadership. Results Statistical analysis using a Chi-square test (χ2) showed greater social interaction among the participants of the improvisation groups than among those in the rhythmic imitation groups, in both age ranges. Conclusion Our results provide specific evidence for this type of music task and a complementary approach to musical improvisation analysis, contributing to the knowledge of music therapy.
音乐即兴创作:对年轻人和老年人社交互动的混合方法研究
摘要引言音乐即兴创作作为一种复杂的现象,可以从不同学科的角度来处理。在音乐治疗中,即兴创作是一种中心练习;然而,作为一种技术,它缺乏证明其使用的方法指南和科学证据。本研究的目的是调查在集体音乐即兴创作中出现的社会互动特征。我们进行了一项混合方法研究,采用探索性顺序设计,通过生成和分析六类非语言交流和社交,比较年轻人和老年人分别执行的即兴和模仿任务。方法青少年(n=131)和老年人(n=110)参加两种类型的音乐活动之一:集体音乐即兴创作或集体节奏模仿。根据六类分析,将在音乐治疗环境中实施的八组音乐即兴创作任务与八组节奏模仿任务进行比较:视觉接触、身体运动、制作类型、音乐互动、声乐方面和领导力。结果采用卡方检验(χ2)进行的统计分析显示,在两个年龄段,即兴创作组的参与者之间的社会互动都比节奏模仿组的参与者更大。结论我们的研究结果为这类音乐任务提供了具体的证据,并为音乐即兴分析提供了补充方法,有助于了解音乐治疗。
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来源期刊
CiteScore
3.50
自引率
12.50%
发文量
45
期刊介绍: Nordic Journal of Music Therapy (NJMT) is published in collaboration with GAMUT - The Grieg Academy Music Therapy Research Centre (Uni Health and University of Bergen), with financial support from Nordic Board for Periodicals in the Humanities and Social Sciences and in co-operation with university programs and organizations of music therapy in the Nordic and Baltic countries. The Nordic Journal of Music Therapy serves the international community of music therapy by being an avenue for publication of scholarly articles, texts on practice, theory and research, dialogues and discussions, reviews and critique. Publication of the journal is based on the collaboration between the music therapy communities in the five Nordic countries of Denmark, Finland, Iceland, Norway and Sweden and the three Baltic Countries of Estonia, Latvia and Lithuania. This international but still regional foundation offers a platform for development of communication with the broader international community of music therapy. Scholars from all over the world are welcomed to write in the journal. Any kind of scholarly articles related to the field of music therapy are welcomed. All articles are reviewed by two referees and by the editors, to ensure the quality of the journal. Since the field of music therapy is still young, we work hard to make the review process a constructive learning experience for the author. The Nordic Journal of Music Therapy does not step aside from active engagement in the development of the discipline, in order to stimulate multicultural, meta-theoretical and philosophical discussions, and new and diverse forms of inquiry. The journal also stimulates reflections on music as the medium that defines the discipline. Perspectives inspired by musicology and ethnomusicology are therefore welcomed.
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