Концепт «дом» в фольклорной картине мира монголоязычных народов

Q2 Arts and Humanities
Sesegma D. Gympilova, Bair Ts. Gomboev
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引用次数: 0

Abstract

Introduction. The article examines a basic concept of any linguistic worldview — that of home (Mong. ger). Goals. The study aims at identifying and revealing semantic features of the concept in folklore texts of Mongolic peoples — Buryat, Kalmyk, and Mongolian paroemias. Methods. Folklore texts are analyzed with the aid of the structural / semantic and structural / typological methods that make it possible to consider different semantic aspects of the concept ger ‘home’. The analysis of Buryat proverbs shows the paroemias characterizing the concept can be divided into two groups: group one to include folklore texts that directly characterize somewhat general meaning of the word ger ‘home’, while group two is compiled from proverbs with an additional meaning manifested through the use of the concept ‘home’ depending on various life situations. Results. The work reveals the image of home — through the prism of proverbs — not only essentially expands its semantic content, but also characterizes specificities of ethnic worldviews inherent to Mongolic peoples, their mentality patterns. Our semantic analysis of Mongolic paroemias with the component ger ‘home’ shows the concept comprises quite a number of semes — from ‘house’, ‘dwelling’, and ‘hearth’ to ‘family’ and even ‘homeland’ (metaphorical meanings). The investigation of Buryat, Kalmyk, and Mongolian proverbs proves instrumental not only in revealing a universal nature of the binary scheme ‘us–them’ in cultural contexts, but also in an attempted characterization of the traditional nomadic worldview through the prism of specific economic and sociocultural activities.
蒙古人民间世界图景中的“家”概念
介绍本文考察了任何语言世界观的一个基本概念——家的概念。目标。本研究旨在识别和揭示蒙古族民间传说文本中这一概念的语义特征——布里亚特语、卡尔梅克语和蒙古戏仿语。方法。民俗文本借助于结构/语义和结构/类型学方法进行分析,从而有可能考虑“家”概念的不同语义方面。对布里亚特谚语的分析表明,表征这一概念的戏仿可以分为两组:第一组包括直接表征“家”一词的一般含义的民间传说文本,而第二组是根据不同的生活情况,从谚语中汇编而来的,通过使用“家”这个概念表现出额外的含义。后果这部作品通过谚语的棱镜揭示了家的形象,不仅从本质上扩展了它的语义内容,而且还表征了蒙古民族固有的民族世界观及其心态模式的特殊性。我们对蒙古族戏仿词的语义分析表明,这个概念包含了相当多的义素——从“房子”、“住宅”、“壁炉”到“家庭”甚至“家园”(隐喻意义)。对布里亚特、卡尔梅克和蒙古谚语的调查证明,这不仅有助于揭示文化背景下“我们-他们”二元方案的普遍性,而且有助于通过具体的经济和社会文化活动来尝试刻画传统游牧世界观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Mongolovedenie
Mongolovedenie Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
30
审稿时长
4 weeks
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