Originality in Derivative Works: The Academy Logo in the Light of United Kingdom, South African and Ghanaian Copyright Laws

K. E. McDave, Alexander Hackman-Aidoo
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引用次数: 0

Abstract

 This paper provides an insight into the test of originality, dwelling on the perspectives from three common law countries. These perspectives are measured against the United States threshold of originality, using the Academy Logo (the Work ) as a mirror. In the main, the paper argues that even though the U.S. standard, set for satisfying the requirements of originality, particularly for derivative works, is high and difficult to meet, the test of originality under the common law is equally not of a low threshold. Nonetheless, whereas common law, in many respects, attempts to reward labour, the U.S. test on originality leans towards the progress of science and useful arts.
衍生作品的原创性:英国、南非和加纳版权法视野下的学院标志
 本文从三个英美法系国家的角度出发,对独创性测试进行了深入探讨。这些观点是根据美国原创的门槛来衡量的,以学院标志(作品)为镜。总的来说,本文认为,尽管美国为满足独创性要求,特别是衍生作品的独创性要求而制定的标准很高,很难达到,但普通法下对独创性的测试同样不是一个低门槛。尽管如此,尽管普通法在许多方面都试图奖励劳动力,但美国对独创性的测试倾向于科学和有用艺术的进步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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