Holst’s Savitri Libretto

IF 0.4 0 RELIGION
S. Brodbeck
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引用次数: 0

Abstract

This article focuses on the libretto (the words) of Gustav Holst’s one-act opera Savitri (opus 25, 1908), which is based on a story told in the Mahabharata. The article introduces Holst’s Savitri project biographically in the context of his love of India. It explores the question of what sources Holst used in preparing his libretto. It discusses Holst’s main departures from his source text(s): his removal of the framing story, his featuring of the character Satyavan, and his introduction of the topic of maya. Historical reasons for Holst’s interest in maya are briefly explored. Finally, the article places Holst’s Savitri in the context of operatic history, reading it as a version of the story of Orpheus and Eurydice.
霍尔斯特的Savitri Libretto
这篇文章的重点是古斯塔夫·霍尔斯特的独幕歌剧《Savitri》(作品251908)的歌词,该剧是根据《摩诃婆罗多》中的一个故事改编的。本文以霍尔斯特对印度的热爱为背景,以传记的方式介绍了他的Savitri计划。它探讨了霍尔斯特在准备剧本时使用了什么来源的问题。它讨论了霍尔斯特对其源文本的主要偏离:他删除了框架故事,他对角色萨蒂亚万的刻画,以及他对玛雅主题的介绍。简要探讨了霍尔斯特对玛雅感兴趣的历史原因。最后,文章将霍尔斯特的《Savitri》置于歌剧史的背景下,将其解读为俄耳甫斯和欧律狄刻故事的一个版本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Religions of South Asia
Religions of South Asia Arts and Humanities-Religious Studies
CiteScore
0.10
自引率
0.00%
发文量
15
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