TV Quotas Under the AVMS Directive After Brexit

IF 1.1 4区 社会学 Q3 ECONOMICS
Thomas Dillon
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引用次数: 0

Abstract

The European Union (EU)’s Audiovisual Media Services Directive 2010/13/EU (AVMS Directive) requires broadcasters to seek to ensure that a majority of transmission time is dedicated to ‘European works’. The definition of eligible works for this cultural quota includes states party to the European Convention on Transfrontier Television (ECTT), of which twenty EU Member States and the UK are among the members. EU broadcasters can hence satisfy the quota with UK works. It appears, however, that post-Brexit the European Commission contemplates an attempt to exclude UK works from the definition, so as to enlarge the share of the market available to EU Member State producers. This article examines that ambition against the obligations of the EU and its Member States under the General Agreement on Trade in Services (GATS) and the ECTT, concluding that several obstacles stand in the way of achieving that policy goal. AVMS, ‘Television without Frontiers’, European works, broadcasting quota, Brexit, GATS
英国脱欧后AVMS指令下的电视配额
欧盟(EU)的《2010/13/EU视听媒体服务指令》(AVMS指令)要求广播公司设法确保大部分传输时间用于“欧洲作品”。符合这一文化配额的作品的定义包括《欧洲跨国界电视公约》的缔约国,其中20个欧盟成员国和英国也在其中。因此,欧盟广播公司可以通过英国作品来满足配额要求。然而,英国脱欧后,欧盟委员会似乎打算将英国作品排除在定义之外,以扩大欧盟成员国生产商的市场份额。这篇文章针对欧盟及其成员国在《服务贸易总协定》(GATS)和《ECTT》下的义务审查了这一雄心,得出的结论是,实现这一政策目标存在几个障碍。AVMS,“无国界电视”,欧洲作品,广播配额,英国脱欧,GATS
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来源期刊
CiteScore
1.70
自引率
12.50%
发文量
35
期刊介绍: Far and away the most thought-provoking and informative journal in its field, the Journal of World Trade sets the agenda for both scholarship and policy initiatives in this most critical area of international relations. It is the only journal which deals authoritatively with the most crucial issues affecting world trade today.
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