{"title":"Frederick Douglass's Prospective Aesthetic Theory","authors":"Michael Kelly","doi":"10.5325/critphilrace.9.2.0240","DOIUrl":null,"url":null,"abstract":"Abstract:Frederick Douglass developed an aesthetic theory during the Civil War in four lectures entitled \"Life Pictures,\" \"Lecture on Pictures,\" \"Age of Pictures,\" and \"Pictures and Progress.\" But his aesthetic theory is underestimated by Douglass scholars and others, often in favor of his various types of aesthetic practice, such as photography, autobiography, and speeches. There are several reasons to give Douglass's aesthetic theory its due. First, we can recognize that Douglass self-consciously engaged in theory to combat the racist belief that, being black, he was incapable of expounding any philosophy. Second, we can understand why he was convinced that art was able to contribute to abolition and racial equality. Third, we can better appreciate the aesthetics of Douglass's picture making, speeches, political activities, and lived experiences if we know more about his theoretical account of them. Prospectively, many key elements of contemporary critical aesthetic theory are present in Douglass's aesthetic theory.","PeriodicalId":43337,"journal":{"name":"Critical Philosophy of Race","volume":"9 1","pages":"240 - 269"},"PeriodicalIF":1.3000,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Philosophy of Race","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/critphilrace.9.2.0240","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ETHNIC STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Frederick Douglass developed an aesthetic theory during the Civil War in four lectures entitled "Life Pictures," "Lecture on Pictures," "Age of Pictures," and "Pictures and Progress." But his aesthetic theory is underestimated by Douglass scholars and others, often in favor of his various types of aesthetic practice, such as photography, autobiography, and speeches. There are several reasons to give Douglass's aesthetic theory its due. First, we can recognize that Douglass self-consciously engaged in theory to combat the racist belief that, being black, he was incapable of expounding any philosophy. Second, we can understand why he was convinced that art was able to contribute to abolition and racial equality. Third, we can better appreciate the aesthetics of Douglass's picture making, speeches, political activities, and lived experiences if we know more about his theoretical account of them. Prospectively, many key elements of contemporary critical aesthetic theory are present in Douglass's aesthetic theory.
期刊介绍:
The critical philosophy of race consists in the philosophical examination of issues raised by the concept of race, the practices and mechanisms of racialization, and the persistence of various forms of racism across the world. Critical philosophy of race is a critical enterprise in three respects: it opposes racism in all its forms; it rejects the pseudosciences of old-fashioned biological racialism; and it denies that anti-racism and anti-racialism summarily eliminate race as a meaningful category of analysis. Critical philosophy of race is a philosophical enterprise because of its engagement with traditional philosophical questions and in its readiness to engage critically some of the traditional answers.