{"title":"Creation as Text: The Graphological Trope in Said Nursi's Risāle-i nūr","authors":"C. Turner","doi":"10.3366/jqs.2019.0400","DOIUrl":null,"url":null,"abstract":"Reading the act of creation as written or spoken narrative seems to have gained currency across the faith traditions from very early on. The Muslim tradition is no exception. As the ‘pen and ink’ verse in the Qur'an shows, the notion of creation as an assemblage of divine words is as old as Islam itself. It was not until the advent of Muslim mysticism, however, that writers began to build on the image's revelatory foundations. The present study is an introductory analysis of extended metaphor in the work of the Ottoman theologian Bediüzzaman Said Nursi, with particular reference to the use of the ‘graphological trope’ in his six-thousand-page exegesis of the Qur'an known as the Risale-i Nur (‘The Epistles of Light’). The aim is to draw attention to Nursi's use of a particular literary conceit that is deserving of further study. Of the few works on Nursi and his teachings that stand up to serious academic scrutiny, nothing of substance has been written about the language of the Risale-i Nur. It is hoped that this exploratory article will spur other scholars on to a more extensive survey and analysis of imagery in Nursi's oeuvre.","PeriodicalId":43884,"journal":{"name":"Journal of Quranic Studies","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2019-10-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Quranic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/jqs.2019.0400","RegionNum":2,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 1
Abstract
Reading the act of creation as written or spoken narrative seems to have gained currency across the faith traditions from very early on. The Muslim tradition is no exception. As the ‘pen and ink’ verse in the Qur'an shows, the notion of creation as an assemblage of divine words is as old as Islam itself. It was not until the advent of Muslim mysticism, however, that writers began to build on the image's revelatory foundations. The present study is an introductory analysis of extended metaphor in the work of the Ottoman theologian Bediüzzaman Said Nursi, with particular reference to the use of the ‘graphological trope’ in his six-thousand-page exegesis of the Qur'an known as the Risale-i Nur (‘The Epistles of Light’). The aim is to draw attention to Nursi's use of a particular literary conceit that is deserving of further study. Of the few works on Nursi and his teachings that stand up to serious academic scrutiny, nothing of substance has been written about the language of the Risale-i Nur. It is hoped that this exploratory article will spur other scholars on to a more extensive survey and analysis of imagery in Nursi's oeuvre.
从很早的时候起,将创造行为解读为书面或口头叙事似乎就在整个信仰传统中流行起来。穆斯林传统也不例外。正如《古兰经》中的“笔墨”诗句所表明的那样,创造作为神圣话语的集合的概念与伊斯兰教本身一样古老。然而,直到穆斯林神秘主义的出现,作家们才开始建立在这幅图像的启示基础上。本研究对奥斯曼神学家Bediüzzaman Said Nursi作品中的扩展隐喻进行了介绍性分析,特别是在他6000页的《古兰经》注释中使用了“象形比喻”,即《光明书信》。其目的是提请人们注意努尔西对一种值得进一步研究的特殊文学自负的使用。在为数不多的关于努尔西及其教义的著作中,没有任何关于里萨莱伊-努尔语的实质性著作。希望这篇探索性的文章能激励其他学者对努尔西作品中的意象进行更广泛的调查和分析。