{"title":"« Je t’aime moi non plus »","authors":"Julie Loison-Charles","doi":"10.12797/moap.28.2022.57.02","DOIUrl":null,"url":null,"abstract":"“JE T’AIME MOI NON PLUS”: THE CORRESPONDENCE BETWEEN VLADIMIR NABOKOV AND HIS FRENCH TRANSLATORS \nThe structure of the letters which Vladimir Nabokov sent to his French translators shows how ambivalent his relation to them was: generally, Nabokov starts by praising the beauty of the translation, and then he makes a long list of all the blunders and howlers made by the translator. This article studies three cases. First, the translation of Pale Fire is analysed as a confrontation of two very proud men, in which the famous translator Maurice Edgar Coindreau refuses to be bossed around by the novelist. Then the article presents the translation of Ada or Ardor (entrusted to Gilles Chahine) as the collaboration of “men on the verge of a nervous breakdown”. Finally, it shows the very friendly relationship which Nabokov had with Jarl Priel, the translator of Invitation to a Beheading, whom Nabokov always fiercely defended. Thanks to the correspondence between Nabokov, his translators and publishers, it will become clear that these collaborative translations were in fact “mediated self-translations”. For Nabokov, it was not just about translating his novels: he wanted to remain the full master of his creations.","PeriodicalId":36042,"journal":{"name":"Miedzy Oryginalem a Przekladem","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Miedzy Oryginalem a Przekladem","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12797/moap.28.2022.57.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
“JE T’AIME MOI NON PLUS”: THE CORRESPONDENCE BETWEEN VLADIMIR NABOKOV AND HIS FRENCH TRANSLATORS
The structure of the letters which Vladimir Nabokov sent to his French translators shows how ambivalent his relation to them was: generally, Nabokov starts by praising the beauty of the translation, and then he makes a long list of all the blunders and howlers made by the translator. This article studies three cases. First, the translation of Pale Fire is analysed as a confrontation of two very proud men, in which the famous translator Maurice Edgar Coindreau refuses to be bossed around by the novelist. Then the article presents the translation of Ada or Ardor (entrusted to Gilles Chahine) as the collaboration of “men on the verge of a nervous breakdown”. Finally, it shows the very friendly relationship which Nabokov had with Jarl Priel, the translator of Invitation to a Beheading, whom Nabokov always fiercely defended. Thanks to the correspondence between Nabokov, his translators and publishers, it will become clear that these collaborative translations were in fact “mediated self-translations”. For Nabokov, it was not just about translating his novels: he wanted to remain the full master of his creations.
“JE T'AIME MOI NON PLUS”:弗拉基米尔·纳博科夫和他的法语翻译之间的通信弗拉基米尔·纳博科夫发给他的法语翻译的信件的结构表明了他与他们的关系是多么矛盾:一般来说,纳博科夫一开始称赞翻译的美,然后他列出了一长串翻译犯下的所有错误和咆哮。本文研究了三个案例。首先,《苍白的火焰》的翻译被分析为两个非常骄傲的人的对抗,在这场对抗中,著名翻译家莫里斯·埃德加·科恩德劳拒绝被小说家摆布。然后,文章介绍了Ada或Ardor(委托Gilles Chahine翻译)作为“处于神经崩溃边缘的男人”的合作。最后,它展示了纳博科夫与《斩首邀请》的译者贾尔·普里埃尔之间的友好关系,纳博科夫一直极力为普里埃尔辩护。由于纳博科夫、他的译者和出版商之间的通信,很明显,这些合作翻译实际上是“中介的自我翻译”。对纳博科夫来说,这不仅仅是翻译他的小说:他想成为自己创作的完全大师。