Why Draw Flowers?

Q4 Social Sciences
Shahar Marnin-Distelfeld, E. Gorney
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引用次数: 1

Abstract

Botanical art and illustration, presented alongside scientific descriptions, were at the heart of Jewish national projects during the British Mandate in Palestine-Israel and following the establishment of the state of Israel in 1948. Looking back, we recognised three prominent women artists who contributed widely to many such botanical projects: Ruth Koppel, Esther Huber and Bracha Avigad. This study aims to investigate the plant images these three artists have created. We will do so by using the approach of visual anthropology while focusing on two main aspects: the connection between botanical illustration and national identity, and the link between botanical art and gender. This study is the first to demonstrate that botanical art in Israeli culture has been gendered, with women doing most of the work, in agreement with findings from Western culture.
为什么要画画?
植物艺术和插图,以及科学描述,是英国在巴勒斯坦-以色列托管期间和1948年以色列国成立后犹太人国家项目的核心。回顾过去,我们表彰了三位为许多此类植物项目做出广泛贡献的杰出女艺术家:Ruth Koppel、Esther Huber和Bracha Avigad。本研究旨在探讨这三位艺术家所创作的植物意象。我们将使用视觉人类学的方法来做到这一点,同时关注两个主要方面:植物插图与民族认同之间的联系,以及植物艺术与性别之间的联系。这项研究首次证明,以色列文化中的植物艺术是性别化的,大部分工作都是由女性完成,这与西方文化的研究结果一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Anthropology of the Middle East
Anthropology of the Middle East Social Sciences-Anthropology
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
16 weeks
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