Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s

IF 0.2 Q3 Arts and Humanities
Perfect Beat Pub Date : 2019-10-11 DOI:10.1558/prbt.38592
Laura Glitsos
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引用次数: 2

Abstract

This article calls for a recognition of women’s roles in contributing to the Perth popular music scene during the 1980s and 1990s. The research thus functions as a balance to the already established literature which explores Perth popular music around this period more broadly. The research herein indicates a surge in women’s musicianship following on from the relatively low levels of women’s participation in the late 1960s to early 1970s. It has also been noted in popular music studies literature that women in music are generally written out of dominant narratives. Thus, this research functions to redress some of those gaps. Through a mixed-methods approach comprising semi-structured interviews and literature review, it is revealed that women faced unique challenges for inaugurating community and securing careers in the Perth industry during the 1980s and 1990s. The greatest surge in participation occurs the mid- to late 1990s.
潮起潮落:20世纪80 - 90年代珀斯流行音乐中的女性音乐家
这篇文章呼吁承认女性在20世纪80年代和90年代为珀斯流行音乐界做出的贡献。因此,这项研究起到了平衡已有文献的作用,这些文献更广泛地探索了这一时期的珀斯流行音乐。本文的研究表明,从20世纪60年代末到70年代初,女性参与率相对较低,此后女性音乐才能激增。在流行音乐研究文献中也注意到,音乐中的女性通常是在主导叙事之外创作的。因此,这项研究有助于弥补其中的一些空白。通过包括半结构化访谈和文献综述在内的混合方法,研究表明,在20世纪80年代和90年代,女性在开创社区和确保珀斯行业职业发展方面面临着独特的挑战。参与人数激增幅度最大的是20世纪90年代中后期。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Perfect Beat
Perfect Beat MUSIC-
CiteScore
0.60
自引率
0.00%
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