Deirdre O’Mahony, artiste et archéologue des savoirs techniques indigènes

Valérie Morisson
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Abstract

: The participative and collaborative projects initiated by Irish artist Deirdre O’Mahony and rooted in her rural Burren region, enhance the vernacular heritage and indigenous technical knowledge which are still extant in the area. Her field work focusing on the evolution of the landscape as milieu, and the multiple collaborations she imagines lead to artistic proposals revisiting the land art tradition. Her interventions in the landscape are often complemented by dialogical configurations, among which shared meals or feasts, which incite the participants to ponder the history of places, the power relations underlying the life of the community and the relevance of vernacular knowledge for the future, particularly as regards food security. Her work addresses the colonial history of Ireland through that of the potato, a vegetable keyed to famines and destitution in many different countries. It leads to the creation of living, plural archives. Les connaissances indigènes sont préservées dans la mémoire des gens et dans leurs activités, et elles sont exprimées de différentes façons : histoires, chansons, folklore, pro-verbes, danses, mythes, valeurs culturelles, croyances, rituels, lois, langues et taxonomies locales, pratiques agricoles, équipements, matériaux, espèces animales et végétales 46 .
Deirdre O'Mahony,土著技术知识的艺术家和考古学家
:爱尔兰艺术家Deirdre O’Mahony发起的参与和合作项目植根于她的乡村布伦地区,增强了该地区仍然存在的本土遗产和土著技术知识。她的实地工作专注于景观作为环境的演变,以及她想象的多次合作,导致了重新审视陆地艺术传统的艺术建议。她对景观的干预往往辅以对话配置,其中包括共享餐食或盛宴,这促使参与者思考地方的历史、社区生活背后的权力关系以及当地知识对未来的相关性,特别是在粮食安全方面。她的作品通过土豆讲述了爱尔兰的殖民历史,土豆是一种导致许多不同国家饥荒和贫困的蔬菜。它导致了活的、多元的档案的创建。这些侮辱是为氏族和人类活动提供服务的,也是对不同事物的表达的:历史、传说、民间传说、语言、神话、文化价值观、习俗、仪式、法律、语言和分类法、农业实践、设备、材料、动物和电视故事46。
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