Circuits of Fascination and Inspiration: Blanchot, Bellour, Grandrieux

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2020-08-12 DOI:10.1353/pmc.2020.0008

Calum Watt

引用次数: 0

Abstract

Abstract:This essay offers a commentary on the French experimental director Philippe Grandrieux's shooting diary for his film Malgré la nuit (2016). Grandrieux's quotations from Maurice Blanchot and the diary's appearance in the journals Trafic and Mettray activate intertextual references relating to Blanchot's ideas about fascination and inspiration. The essay argues that Grandrieux and film theorist Raymond Bellour are contemporary inheritors of these notions, which they develop in relation to filmmaking practice, cinema spectatorship, and film analysis. Through their work, fascination, often associated with passivity, can be seen to actively inspire new works.

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迷人与灵感的循环：布兰肖特、贝洛尔、格兰德里奥

摘要：本文评述了法国实验导演菲利普·格兰德里奥（Philippe Grandrieux）2016年拍摄的电影《Malgréla nuit》的拍摄日记。Grandrieux引用了Maurice Blanchhot的话，日记出现在Trafic和Mettray杂志上，这激活了与Blanchot关于魅力和灵感的想法相关的互文参考。本文认为，格兰德里奥和电影理论家雷蒙德·贝洛尔是这些概念的当代继承者，他们在电影制作实践、电影观众和电影分析方面发展了这些概念。通过他们的作品，通常与被动联系在一起的魅力可以被视为积极激励新作品。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.