Critics and controversy: the reception of Salafistes (2016) in France, followed by an interview with co-director François Margolin

Maria Flood
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引用次数: 0

Abstract

ABSTRACT François Margolin and Lemine Ould Salem’s documentary Salafistes is without doubt one of the most controversial films about terrorism released in France in recent decades. The film’s central focus is the occupation of the northern Malian cities of Timbuktu and Gao by the jihadist group Ansar Dine, but Salafistes also mixes interviews with jihadis from groups such as Ansar Dine, Al-Qaeda of the Islamic Maghreb and ISIS members in Tunisia with jihadi propaganda videos, mostly from the Islamic State. Upon release, the film was subject to state restrictions on distribution, and it provoked strong reactions of both praise and censure in the national and international press. This article outlines the socio-political conditions surrounding the conflict in Mali and the work of filmmakers in the region, before considering some of the press responses that Salafistes evoked. This brief introduction is followed by an interview with Salafistes co-director François Margolin.
评论家和争议:萨拉菲派在法国的接待(2016),随后是联合导演弗朗索瓦·马戈林的采访
摘要:弗朗索瓦·马戈林和勒明·乌尔德·塞勒姆的纪录片《萨拉菲派》无疑是近几十年来法国上映的最具争议的关于恐怖主义的电影之一。这部电影的中心焦点是圣战组织Ansar Dine对马里北部城市廷巴克图和加奥的占领,但萨拉菲派也将对Ansar Dinne、伊斯兰马格里布基地组织和突尼斯伊斯兰国成员等组织圣战分子的采访与圣战宣传视频混合在一起,这些视频大多来自伊斯兰国。这部电影一经上映就受到国家发行限制,在国内外媒体上引起了强烈的赞扬和谴责。这篇文章概述了马里冲突的社会政治条件和该地区电影制作人的工作,然后考虑了萨拉菲派引起的一些媒体反应。在这篇简短的介绍之后,萨拉菲派联合导演弗朗索瓦·马戈林接受了采访。
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来源期刊
Studies in French Cinema
Studies in French Cinema FILM, RADIO, TELEVISION-
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